Christopher Schwarz’s next book (I’ve been urging him to refer to it as a monograph, given its single subject and form – and perhaps my penchant for hyperbole) will be on two Roman workbenches – one ancient design based on an 18th-century drawing of a fresco at Herculaneum and a surviving fresco at Pompeii, and one early modern design (he’s calling that one the Holy Roman Bench) from a drawing […]
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