If part one focused on the cabinet as an archaeological object—revealing construction shortcuts, repairs, and surprises—this second part turns inward, to the heart of Yeoman’s clock: the movement itself. It is here that the clock most clearly declares its origin, …
Part Two: The Movement, the Maker, and the Making of a Longcase Clock
If part one focused on the cabinet as an archaeological object—revealing construction shortcuts, repairs, and surprises—this second part turns inward, to the heart of Yeoman’s clock: the movement itself. It is here that the clock most clearly declares its origin, …