Author name: Enthusiast

May ‘Kits:’ Get ’em While They’re Well-priced!

We’ve some “kits” left over from May – collections of items on like subjects offered together at an attractive price (and we typically put together only 50 to 100 of each collection…so get ’em while you can)! First up, the “Mid-Century Furniture Collection,” with the book “Mid-Century Modern Furniture: Shop Drawings & Techniques for Making 29 Projects,” and the DVDs “Step-by-Step Mid-Century Modern Coffee Table” and “Building Techniques for Mid-Century […]

The post May ‘Kits:’ Get ’em While They’re Well-priced! appeared first on Popular Woodworking Magazine.

May ‘Kits:’ Get ’em While They’re Well-priced! Read More »

Crackle Lacquer

Crackle Lacquer

A friend called me the other day with a question. He was matching a crackle-lacquer finish from the 1980s and wanted to know how this finish is made and how to apply it. Crackle lacquer is lacquer with so much solid material, usually silica, added that there isn’t enough binder (lacquer) remaining to glue all the solid particles together. The result is that the lacquer cracks when it dries and […]

The post Crackle Lacquer appeared first on Popular Woodworking Magazine.

Crackle Lacquer Read More »

Reading and Working with the Grain, a Simple Tip.

Imagine your fingers as the grain of the wood. The cutting force, whether it is a chisel, a gouge, a rasp or a plane should act in the direction of the grain (towards the tips of your fingers in an acute angle.

Perhaps the most important characteristic of wood is its grain. And grain orientation is undoubtedly the most critical consideration for charting a plan for cutting, milling and shaping wood. Therefore, reading the grain is paramount for good woodworking. When possible, we should always strive for planing, chiseling, rasping and gouging with the grain and not against it. Due to the critical importance of this guideline, the inverse, “going against the […]

The post Reading and Working with the Grain, a Simple Tip. appeared first on Popular Woodworking Magazine.

Reading and Working with the Grain, a Simple Tip. Read More »

Design Brief No. 3: The Danish Campaign Chest

dtc_10_25_2013-424

A lot of Danish Modern dressers are taller than your typical campaign chest because the designers added a drawer or two. But some of them look like the pieces shown here. After staring at the 25 campaign chests from part 1 of this series I hope you can see the connection. We have an unadorned dresser that is square and perched on a plinth. Just like a campaign chest, the […]

The post Design Brief No. 3: The Danish Campaign Chest appeared first on Popular Woodworking Magazine.

Design Brief No. 3: The Danish Campaign Chest Read More »

Design Brief No. 2: The Danish Campaign Chest

CC_1_36-01

So after looking at the 25 campaign chests in the previous post, did you spot any patterns? What I see with these chests is that most of them are a square shape that is perched on some sort of plinth. After measuring a bunch of them, the typical size is 36” long x 40” high x 15” to 18” deep. The square shape of the carcase is 36” x 36”. […]

The post Design Brief No. 2: The Danish Campaign Chest appeared first on Popular Woodworking Magazine.

Design Brief No. 2: The Danish Campaign Chest Read More »

Design Brief No. 1: The Danish Campaign Chest

Campaign-chest-plywood2

While there are a dozen good ways to design a piece of furniture, I can write intelligently only about my own methods. I designed my first piece of furniture in 1993 and have – surprisingly – stuck with the same basic technique for the last 23 years. It doesn’t involve formulas or ratios (though I believe those also work). Instead it relies on what I was trained to do as […]

The post Design Brief No. 1: The Danish Campaign Chest appeared first on Popular Woodworking Magazine.

Design Brief No. 1: The Danish Campaign Chest Read More »

Scroll to Top